Showing posts with label Midwest Hip Hop. Show all posts
Showing posts with label Midwest Hip Hop. Show all posts

Sunday, April 21, 2013

"Ceasefire 2013": a song for us.

The Messenger: Suave Da Lyricist
It is Tuesday, April 16, 2013; the day after the bombings that took place during the Boston Marathon in Boston, Massachusetts.  The images of that day are still fresh in my mind, but I am also reminded that right now in Chicago, Illinois and areas even closer to Nogo, people are mourning the lives of love ones lost to constant gun violence.  It is a problem more terrifying than international terrorism and it is something the people of my community live with everyday.

Today, I got the opportunity to speak with Suave da Lyricist, Glen C. Pitts the CEO of IND.TouchStudios, & producer Twan (aka Hey Hey Hey This a Twan Beat) about their song "Ceasefire" and the negative effect that black on black violence is having on the youth in our community. 

Who is Suave da Lyricist and how long have you been making music?

Suave da Lyricist:  Suave da Lyricist is just a person.  And I don't want to add no spectacular synonym to the name, I'm just a person.  I'm just me.  I'm somebody who has been doing music ever since I can remember.  At least a good ten, twelve years, I've been doing this.  Suave is just a person relaying the message, he's a messenger.  I relay the message through words.  That's pretty much it.

What brought about the creation of the song "Ceasefire"?

Suave da Lyricist:  Well, the reason I brought my guys here is because they pretty much came up with the idea for it.  Twan--I don't know how he came up with the track, but Twan had the track.  And Glen called me over, and Glen said, we got to do a record about all this killing going on, and I think this was after Janae McFarlane got killed and he was like man we got to do a record because there is just so much going on right here.

What's been going on out here, I was kind of cold to it because I grew up in the Robert Taylor Homes.  So people getting killed and all that, I'm conditioned to it.

Like you're numb?

Suave da Lyricist:  Right.  So, the passion they had about it is like how I felt in '93-'94.  So when they spoke on it, it unleashed some suppressed feelings about it.  So, I took his idea with it and I got to writing from a parents standpoint.  So, it just bled out.  I don't know how long it took to write; it may have taken about ten to fifteen minutes.  And it just went from there.

Twan:  And we told him not to hold back on his words.  Express what he means and how he really feels to make it real, you know.

How do yall feel about how the song "Ceasefire" turned out from a producers standpoint?


Glen Da CEO   "Stop the Violence, stop the shooting."
Glen da CEO:  I feel that it's great.   I mean it's got a few lines that can be changed.  Some words can be changed.  You know, some people might not relate to it, like the church people.  But, the message is clear about what we are trying to do and what we are trying to stop.  I mean, we didn't want to just stop with the song.  We wanted to take this to a whole 'nother level with marches and rallies.  All that type of stuff.  But, we are still working on that right now.

How can hip hop contribute to nonviolence and community outreach for our community particularly?

Glen da CEO:  Depending on the message.  Everybody can be swagged out cool without the violence.  You know what I'm saying.  Everybody wants to be cool and be this person that they want to portray themselves as, but they're not.  So, through music, I think we can contribute to the community by giving them something to listen to, something to vibe to, but from a positive standpoint.  Something different.  I think that is how we can get through to the community with something positive that we talk about in these lyrics.

Suave da Lyricist:  I agree.  I definitely agree, but just to piggy back on what I said before, I grew up in a neighborhood where, excuse my French, that shit was accepted.  It becomes an ice cream truck comes down the street and a nigga get shot, somebody gets arrested, somebody gets beat up--like these things are what we become conditioned to and its acceptable then.  But when you get older, I mean, we all parents now.  I can't even fathom burying my shorty especially because somebody shot him.  And then there is no real reason behind it.  So just like Glen say, I mean like this music, this music is a vessel.  And unfortunately, these kids are more relatable to the music then they are to they parents as teachers.  Cause they look to teachers, I mean to be straight up, they aren't looking to these teachers.  I mean, they there in school because they got to go.  But they'll listen to these artists.  Because that is who they dream to be.  But, somebody got to be able to add some sweet to the bitter.  Because it is bittersweet, but at the same time, if it's all bitter we can't be mad if they grow up and become a product of what's going on now.

Twan:  I mean, basically, we are trying to change a little bit of what the children are hearing and thinking from all this other hip hop.  By them hearing this message, it could give them some perspective about what life is about.

And about what life could possibly be for them.

Twan:  Yes.

Glen da CEO:    Not only that, if hip hop/rap music was incorporated into the schooling, I think it would give kids more to do.  Like if they had a music other than just playing the type of musicals they be doing at the schools, if they incorporated like a hip hop class in school, in the music class to give them something positive, because they not going to let you rap about killing and shooting in school--they're not going to do it.  So, if this was incorporated in the school more, maybe it would get a bigger message out there to the kids.

Suave da Lyricist:  Hip hop as a genre is shunned in the school system because of the representation that comes from it when the genre is mentioned.  When you mention hip hop, people already associate the ones that are you know thugging.  They're not speaking on LL Cool J, they're not speaking on the ones who are relevant still that are on the other side of what's going on.  So that's why there is a salty taste in their mouths but just like Glen said.  But, mainly, first and foremost, you got to stop being afraid, and that's another reason why so much stuff is foing on and not being fixed because people are scared.  So, that was another reason of making a record because people--and I'm going to be all the way honest--people know me and about my affiliations in the city.  But, for me to do a record like this, it lets them know that, yo, this is some of how I felt. So, if I can't bring you the real, then you can't respect me as a man because we all got to be able to stand up and conduct ourselves when stuff out of balance.  So, this is definitely a record that when delivered right  and a message is given by somebody that can be respected then it will go far.  Because if the messenger can't be respected for what he is saying, than the messenger can't go far either.

There was a time when a person could learn a lot from hip hop: about themselves, about religion, about their culture and about positivity.  Now, it seems, there is a gun culture, a drug culture, and a gross sexual culture in hip hop that needs to be weeded out in order to become more positive than what it is.  Do you foresee hip hop falling by the way side in the next 5 to 10 years if things don't change?

Twan:  Nah, I don't.  I mean, hip hop is basically the way that people live.  You never run out of things to talk about what you doing and everything, so no.

Suave:  I think as long as the big corporations still got they hands on it it's not.  Because, they going to always try to keep up with what going on as a trend as far as the record labels go.   It's different from the BDPs and like we talking stuff from 25 years ago.  I mean, I remember those records, and I know then those labels weren't doing stuff they doing now. These labels these days are personally handpicking records that going to be only be applicable for right now.  As long as they can try to find somebody who can do what they want for right now, they going always be able to keep it alive, but it's going to always be records like "Ceasefire" that's going to exists that aren't going to get heard.  I mean, Interscope, Def Jam, and those people aren't trying to hear "Ceasefire".  For real, for real, because that means all that money that they make off all that other stuff is not going to make any more money.   All it takes is one record and one person of importance to hear that record and then there you go you losing your money.

If people take nothing else from this one piece of music, what is it you want your listeners to get from the song "Ceasefire"?

Glen da CEO:  The message is clear:  ceasefire.    Stop the violence, stop the shooting.  Save our kids. That's the message that we want to give.  Other than that, there's nothing.  That's the whole message that we want them to get is just to stop. Stop the shooting, stop the killing. Even if you shooting at your target and miss, than there goes a kid getting hit by a stray bullet.  So, the whole message is just to stop it.  I wish we could go back to the days when you wasn't doing nothing but fighting.  But nowadays they shooting side ways.
So the whole message is just ceasefire.  PERIOD.

Twan:  Also, I think,  another message, what Suave said in the song basically  like not just our kids but we got to look out for each other.  And just for the parents to step up and be parents for all kids.  Not just your own.

Glen da CEO:   Like back in the day.  When your momma could whoop me and my momma could whoop you.

Suave da Lyricist:  I did a show the other night that was I guess you could say was just circled around the whole movement.  And, there wasn't anybody there.  There was just the artist that was booked, and just a few stragglers and nobody else.  What I want people to take from the record is stop always just showing up to funerals.  You know what I'm saying.  We'll show up to funerals.  We'll show up with the bears and the flowers and the candlelight visuals and all that.  But, we don't show up to the stuff that prevents it.  So if anything, just to get up.  And to piggy back off what Glen was saying about the record,  I could have done this record without cursing initially, rather than having to go back and do a radio edit, but it was the rawness of it.  My momma ain't never water down nothing to me.  The people that cared about me ain't never watered down nothing to me.  So I felt like to put this record together it was me really  giving you me.  This wasn't nothing edited so I could send to the radio so they could play it because it is bigger than radio.  I could care less if the radio mess with the record because it ain't just for them.  9 times out of 10, those radio directors don't know what's going on in our hood personally.  They hear it on the news like everybody else.  Those people don't even know who Janae is; they don't know who Hadiya is personally.  They only know because channel 7 broadcasted it.  I given that message on a strength of if I can't give it to you in the raw, then I can't give it to you because that is how it is presented to us.  I mean, these kids getting whacked ain't edited.  I just got a call earlier and heard that one of my guys sons got killed.  I mean, he was only half way from school and he got whacked.  I mean, I'm sure he had other plans this afternoon.  Why give it to them watered down?  Give it to them raw because that is what they are going to respect.

Well, we were all in agreement.  Something must be done to combat the erosion of morality and life in our communities.  Not just in North Chicago, but in communities around the world.  We pray and we feel for all who tragically lose their lives.  And I personally want to dedicate this blog entry to Janae MacFarlane and Hadiya Pendleton.  Both young ladies are gone to soon, and both are still remembered and missed by their loved ones and friends.

Ceasfire everybody.  Let's all come together and stop the madness. 

The music, the song, the message is *CEASEFIRE* 2013   <====  Click here to here the song and support your local artists and support and believe in the message.

 

Saturday, March 16, 2013

Smokey Da Bandit: Hear about, Speak about & Support Your Local Artists!!!






Here at Nogostreetbeat, I am all about supporting the local music scene.  If you are about your own business, and trying to get ahead, I can't hate that.  That said, one our local music champions is back in the ring once again.  Smokey da Bandit and his brothers at Empty Soulz Entertainment have done it again in typical Midwest style.

The track to the video above is called "MISS ME" and "MISS ME" will be featured on Smokey Da Bandit's latest endeavor Speak No, Hear No, See No Bulls#*!.   The mixtape will be available in July 2013.  That's right, this summer!

Smokey has been doing his thing with the ESE for a while now, and like most well known artists from this area on their grind, Smokey has fans all over the world wide web. No doubt, he will make more. 

This video was shot exclusively in Waukegan, IL by Darius Ayo Jones of Dee Jay Films.  And I have to give him a shot out for doing an amazing job. 

One love to Wauk-Town, please continue to read Nogostreetbeat and as always, Support Your Local Artist!!



Thursday, January 17, 2013

Quarter Key: Support your local artists!!!


Straight from the heart of North Chicago, IL, comes the very literal and hard core Quarter Key.  His video "Gangsta" has racked up over 47,775 views on YouTube alone.  (Produced by Lou Perez Productions and directed by Fresh Air the People's Player)
Lyrically, there is nothing like this on mainstream radio.  Quarter Key comes with real life experience spoken over gangsta beats.  Right now, Quarter Key and Blocklife Music Group is getting it in big time. 
 
Can Quarter Key make it to the mainstream and bring some reality back to rap music?  I don't know, but something tells me the man is on his way.  The online comments have been mostly positive and he is the first that I have seen garner this much response from an online music video.
 
Stay tuned.  There maybe more in store from this artist. 

Sunday, December 30, 2012

KAYO of Swagg Kamp "Real Rap": Music with a message

Right now, as 2012 is drawing to a slow and steady close, I am reflecting on the "art" I have created and the dreams I have to succeed.  But, I know that I am not the only one.

Kayo of Swagg Kamp song "Real Rap" is a song about manning up and facing your adversities head on.  One of the things the world is missing from rap and hip hop in general is honest story telling.  Everybody has there own tale to tell.

In Real Rap, Kayo does not mince words.  Eloquently enough, he tells it like it is.  Probably another one of the best, I have heard coming out of Lake County, IL.  This is a lyricist that should not be slept on.

If you disagree or you want to shout out the group, leave your comments below. Listen and decide for yourself.  Is "real rap" making a comeback in 2013.  I know for me it is.

Happy New Year for Nogostreetbeat #2!!!

Wednesday, December 5, 2012

BLACKBIZZNESS: Support your local Artists!!!

http://blackbizzness.bandcamp.com/album/a-wonderful-world
It is a rare but welcome treat these days to hear a sound that is both classic and brand new.

I am an eighties and nineties baby.  When I was coming up, hip hop was an intelligence contest.  Verbal lyricists spit facts about history, life and community.  They told stories that a person could relate too, about life in our communities.  And for a while it felt good to hear it and be Black.

Continuing in that tradition is BlackBizzness.  Yes, the duo of Black Sun and ShowBiz are at it again kicking serious cerbral sound to the real serious hip hop heads.

Debuting on December 4, 2012,  their mixtape A Wonderful World is available for free download on Bandcamp.com and trust me, these brothers should be applauded and supported.  Not just because they are local and independent, but because there is quality in the music they are presenting to the public.  And that is a quality that is lacking in the mainstream music industry these days.

I'm not naming any names.  They have enough exposure.  But, hip hop artists like BlackBizzness should have more exposure and more fanfare over their hard work.  With no big time label behind them, and without selling out and looking stupid, ShowBiz and BlackSun have made real hip hop music. 

My favorite tracks are 16 No Go Love Story, 1 End of Story, 9 Taxi, 5 80s Dope, & 6  Living through me (Biggie Tribute).
Go to:  http://blackbizzness.bandcamp.com/album/a-wonderful-world
 Decide for yourself, and download this music for FREE.

Support real talent.  Support your local independent artists, Support BlackBizzness.

I'm out.